Catalogue essay: Paul Pieroni on Peter Halley’s 1980s painting

The aim of this text, which was originally published as “Facts are Useless in Emergencies” in Peter Halley: Paintings of the 1980s The Catalogue Raisonne, is to provide an in-depth analysis of Peter Halley’s painting as it emerged during the 1980s. I engage Halley’s theoretical writing—which extends his visual language—while also considering the critical reception … read more... "Catalogue essay: Paul Pieroni on Peter Halley’s 1980s painting"